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Waycooler 1.1 UPDATE!

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For a lot of reasons, this November is different than last November. In fact, even though last November was one of the coolest months I experienced in my life, this November seems to already be WAYCOOLER!

Speaking of things that are WayCooler while segueing into a subtle but necessary advertisement , my FREE iPhone app (coincidentally called "WayCooler") just got it's first official udate! WayCooler now joins most other relative things in history because it now has a POINT. As in... WayCooler Version 1-POINT-1 is now here, and features more NEW FREE creation assets, as well as some reorganization of the assets and some minor software/user tweaks.

So for those of you who are still in the shadows of confusion, and are sitting there thinking "Dude, thats supposed to be a decimal, which doesn't seem to have a point, so what is the point to this free app?" Let me try to explain quickly.

In real life (or IRL as the teenage internet scientists refer to it) in order to make yourself way-cooler you need to do something crazy like don an ALF mask and a vintage Joy Division shirt and instagram a stupid picture of yourself pointing at the shirt with the caption "THIS just happened". However, NOT ANY MORE! Because with my free WayCooler iPhone app you can make ANYTHING #waycooler with just a few swipes and taps of your lanky digits.

It's pretty self explanatory once you open it and start playing with it, so give it a try. It's FREE! You can DOWNLOAD IT HERE. Android version still in the works!
If you need some more convincing, check out this explanatory video directed by my favorite champion corgy-racer STEPHEN REEDY



And here are a few screen shots and creations that you can make with the new updated 1.1 super version of #WAYCOOLER (built and created by myself and 99centbrains







HOEKS ONE IS THE WAYCOOLEST

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As a child, my parents always encouraged me to play with toys that, in a way, forced creativity. Construx, Erector Sets, K'nex, Lincoln Logs, Capsela and most memorably, LEGOs. With each one of these sets of toys, there were two options as to how to play with them. You could meticulously follow the instructions and use them to build what they were "intended" for, like an airplane or a castle and be totally stoked that you built a castle. OR, you could accidentally piss on the instructions, light them on fire and then flush them down the toilet and sit there staring cluelessly at a pile of random shapes and screws, with the only remaining option being "Make something out of this pile".

The latter is what I often chose.

One of the things that I always loved about that approach was that it encouraged me to think outside the shape and imagine what other uses a "rectangle" or a "saucer" could have. That type of thinking recently emerged when mobile app-developer FRANKY AGUILAR and myself were knocking around ideas for a new art-based iPhone app a few months ago. The result was a creative art-based iPhone app called WAYCOOLER .

On the surface, Waycooler is a silly app where you can add weird eyes and mouths based on my artwork to your photographs to make your photos "way cooler". However, when we created it, and what we were HOPING for, was that once users got used to the simple interface and got bored of just adding 7 eyes to their dog, that some creativity would be jostled out of people and they would actually start seeing these eyes and mouths as OTHER SHAPES and start creating brand new artwork and FULL ILLUSTRATIONS using nothing but noses, mouths, hands, etc.

In a way, we wanted to make a digital version of LEGOs but with an artistic and creepy twist. What soon followed after the app got released a few months ago was INSANE.


Almost immediately, the art that people were creating using only the iphone app was appearing online (search #waycooler and #waycoolerest on instagram) and blowing my mind in ways that I couldn't have even pictured. Artists were sharing photos with each other, building on each other's pieces, challenging each other to outdo each other, and so forth. It's awesome.

But one artist, named HOEKS ONE, has caught my attention numerous times. I don't even know how he does it, but he is using the WayCooler App and his iPhone to create some insanely creative work.

HOEKS ONE, part of the Bay Area-based GroundSick Music collective and the apparel company Twenty Four Karat has created all of these renditions of iconic pop-culture characters using ONLY the free WayCooler app. And as a bonus he did the same with the Halloween questionnaire that I was passing around for Juxtapoz last month. And it's one of the coolest feelings I have ever had. Word! Thank you.

(All pieces on this page created by HOEKS ONE)








Robert Bowen's "UNNATURAL SELECTION" Opening Soon

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Time Flys.  While it's hard to believe that it's already time to announce a new show at our Oakland Gallery, it's one we're certainly excited about.  This month, longtime friend and incredible painter Robert Bowen will be featuring a series of new paintings that differ slightly from his past work.  He writes:"This series of paintings is a bit of a departure from some of my pop-culture driven images of the past.  (Not to say I won't return to that, but this is where I am at for the moment.  I see both plaguing my future.)  All the paintings in this show are of an animal nature, depicting birds, insects and sea life, several of which are from my Lucky Strike series that combines animals with mechanical elements or engine parts.  There is a certain tragic beauty about these malfunctioning hybrid creatures, and I cannot look away.  They are a constant source of inspiration."Come check it out!UNNATURAL SELECTIONNew works by Robert BowenOpening Reception - Saturday, December 8th, 5pm-8pmZeroFriends Gallery - 489 A 25th Street, Oakland CAThe First 45 people to show up for the opening reception will receive a free print, signed and numbered by Robert Bowen.(Only one print per person.  You must be in attendance to receive the print.)To view more of Bowen's work, visit his website RobertBowenArt.comIn the meantime, enjoy a sneak preview below:


 


In case you missed it, Alex had the opportunity to interview Bowen as a featured artist for the August 2012 issue of Juxtapoz.  If you want to learn more about Bowen's process, inspirations, or how much of an inspiration he is to us here at ZeroFriends, read the article below!

As a Lincoln Continental, Odd Nerdrum & tentacle fetishist with a healthy diet of Play-Doh, Christian Brothers, Salvadore Dali, Sid & Marty Kroft, exploitation movies & Jimboys tacos, Robert Bowen had one of the most unique and shocking approaches to art that I had ever seen in the late 90’s time. Simply put, he painted what he wanted and how he wanted. That was it. And he was completely unapologetic about it. It baffled me! In a time when alternative art was beginning to become marketable at the smallest level and everyone, including myself, was trying to paint what OTHER people would like, hoping that one of our super edgy half-assed big-pants, big-hands characters with spray cans would be the next big thing, Robert was publicly painting flowers with vaginas and deformed blobs with dental problems. It fascinated me, and it changed the way I approached my art. Since that time, over 15 years later, Robert remains one of my best friends and artistic influences, and has exhibited his often hilariously unsettling paintings around the world, his technical skills with acrylic paints have been improving exponentially piece by piece, while his attitude remains the same. He paints what he WANTS to paint. Plain and simple.
I sat down with Robert for a friendly chat in his studio on a sunny summer afternoon, not much different from the day we met. Here is an excerpt from that interview:
One of the things I find fascinating about your paintings is that they give a lot of life to icons and symbols that usually only exist in 2 dimensions.
For the last 5 or 6 years in fact, I have viewed your paintings as “Pop-Culture Still Lifes”. Is it safe to say that pop-culture fascinates you? 
Definitely, I’m a self proclaimed “T.V. Baby”. Movies, Music, music videos, shitty reality T.V. I was totally one of those kids whose baby sitter was the T.V. Not that I didn't have any friends or didn't play outside. I did all the normal things kids do, but when I was inside my eyes were glued to the T.V. Soaking it all in. 
Television often has a reputation of stripping people of their creativity, but that’s obviously not the case with you because your paintings are extremely imaginative. Has pop-culture always been a part of your life?
As far as I can remember it has. Movies, music, television, I've always loved all of it. I was the kid in the Michael Jackson jacket recreating scenes from E.T. and the Star Wars movies. I always wanted to be Han Solo.
Really?? Me too! Well, I wanted to be Boba Fett, so we would have been mortal enemies, but whatever.
So a lot of your early work was very surreal, often times a collection of imaginative, heaping organic masses that conveyed a lot of mixed emotions to the viewer. Your newer work conveys the same mixed emotions, funny yet sadistic, sad yet resilient, etc. but the emotions are conveyed via pop culture icons. When was the transition into actually incorporating pop culture into your paintings?
A lot of that earlier stuff was probably a direct result of my art school rebellion. They wanted me to paint figures and still lifes, so instead I painted giant visceral organic blobs with spikes, protruding bones, teeth and vaginas. It was really pleasant and beautiful stuff! While all that was fun and all, it wasn't fully me, there was something missing. It seemed natural to incorporate things that were fascinating and already plaguing my psyche. That’s when pop culture started creeping in. 
A lot of these icons repeat in different capacities over the span of 3 or 4 of your paintings. Is there a conscious decision to continue exploring these icons from the beginning?
Maybe not from the beginning, but sometimes I feel like either I maybe didn't get it right the first time, or we have some unfinished business. Or the fact that I might have just needed to do it bigger and better.
Speaking of bigger and better, your subject matter varies a lot, but you have incorporated a hefty amount of iconic Disney elements and characters into a lot of your larger paintings and even some sculptures. Disney characters aren’t traditionally associated with deformities, puking and vaginas. Why do you choose to incorporate Disney characters into your paintings as opposed to other cartoons?
Walt Disney’s creations are some of my earliest memories. Contrary to what most people may think when they look at the way I may paint some of those characters, I love all that stuff. It’s fun to me to paint those icons in a style that fits into my subconscious wasteland.
In addition to just pop-culture, you’ve adapted a lot of seemingly random and mundane objects into your paintings over the course of a few years. In particular, items like the chattering teeth, seagulls, and bees. Is there any significance to these items in your life?
I’ve always thought some of the simpler creatures that we overlook on an everyday basis need a little more attention, so I sometimes work them into a painting perhaps doing something a little extraordinary, like puking a rainbow, wearing a mask, or stealing a little magic stone. I want those creatures to feel special! I think they need to have fun too. The teeth thing? That’s a whole different story. They are basically the physical manifestation of my social anxiety; the awkward joke; the courtesy laugh. The teeth represent the need for me to find humor in some of the uncomfortable social situations I find myself in. I purposely paint each one different. They are far from perfect teeth and ugly for a reason.
There is definitely a lot of humor in your paintings, but there are also some hard emotions portrayed as well. Is it that particular anxiety you mentioned something that fuels your need to create? Or is the art used to counteract those emotions?
It’s a bit of both. I feel the anxiety may be what fuels my need to create, as it’s hard for me to get out of my head sometimes, if that makes any sense. Sitting and taking time to slow myself down and create is very calming for me. So in that way it’s used to counteract certain emotions, but at the same time it’s those emotions that are sometimes the catalyst behind the painting in the first place. It’s a wonderfully vicious cycle.

MORE FREE PRINTS! "Gratitude Adjustment" Sale!

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We love you. All of you. Whether you are a returning customer, or someone who just bought a "weird thing" for your friend, someone who bought something as a joke, whether you just gaze at the site to see what we have in hopes of buying something someday, or even someone who twitters from your Boost mobile about how bad we suck, we love you.
But sometimes I fear that because of our busy schedule, we don't say "I love you" enough. I mean, with the amount of support that we have gotten over the years to grow into whatever goofy monstrosity we are now, it's physically impossible to thank everyone enough, but we really need to thank you MORE. In fact, it's a general consensus around the Zerofriends studio that we need a GRATITUDE ADJUSTMENT!

So this weekend that's gonna change! Starting Nov 30 at noon pacific time and continuing through Sunday Dec 2 at 11:59 PM, we are having an additional "GRATITUDE ADJUSTMENT SALE" on top of our store-wide Brown Thursday sale that is currently going on.

"How could you possibly thank us via a web-store?" You ask?
Well, in lieu of our huge Brown Thursday sale last week, where we offered a free limited print to the first 400 people to spend $25, which sold out in 24 hours, we are offering a new little extra thank you to those of you who missed out on that opportunity.

This weekend, and this weekend ONLY, starting FRIDAY NOV 30 at NOON Pacific Time, and ending on Sunday, DEC 2 at 11:59 PM, ANYONE who spends $25 will get this FREE signed, limited exclusive "Gratitude Adjustment" Holiday Variant 8x10 print, which will never be available aside from this weekend promotion. That's right. Not just the first 400. ANYONE throughout those 3 days to spend $25 will get this print for fucking FREE!!!
Please note that there is no need to "ADD" the free print to your cart, nor will you get a notification that you got it. We are on the ball. If you spend over $25 any time during this promotion, not including shipping, you will be automatically sent a signed print. The end:)


But wait, there's an epilogue! If you decide that you want to spend more, anyone who spends $150 or more will get a FREE signed Limited "Holiday Sack Man" 11 x 14 signed limited print while supplies last (they are limited to 100, we have about 40 left). Same rules apply.

And to those of you who stay after the credits, here's some bonus footage for you. This week we cleaned out the warehouse to get ready for the sale and we found a stack of prints that we had NO idea were still available! One of my favorite prints ever and one of the greatest collaborations I have ever got to work on was this collaboration with one of my favorite directors Edgar Wright in conjunction with his Triple Feature screenings of Shaun of the Dead, Hot Fuzz and Scott Pilgrim Vs The World. Those 3 movies are brilliant, Edgar is fantastic, and he pushed me to make this print crazy, and I love it. It was limited to 400, and we were positive that they all sold but we found a stack of them this week. All signed, and numbered, by me.
And on SALE during this weekend! Only $35 (regularly priced at $50 after this weekend)
Buy one, and get a free 8x10! Not bad. For reals. I'm sorry, trees!

New "VOMIT IS LOVE" Timed Release Print THIS FRIDAY

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Here at Zerofriends, vomit has been a big part of our business since the beginning. My early work often got compared to vomit (actually it still does). We laugh ridiculously at anything featuring projectile vomit. There's been plenty of times where I have used vomit in a pun, like that time I threw up on someone while shaking their hand and said "Im sorry, but it's nice to voMEET you".
But, mostly, I created a painting called "Vomit Is Love" a few years ago that has been a consistently popular image across all platforms of Zerofriends and beyond, even making its reach into other companies like Upper Playground, as well as through tattoos, fan art, and even real photo homages.
Here's the original image from 2006:
Some random loves.

Well, we have been sold out of the original, official full-sized limited edition "Vomit Is Love" Print for over 4 years. And while I have always liked the original image, I always new that with a few more drips and splashes and brush strokes, I could literally make it HELLA "SICKER".

So that's what I did. And now this new "VOMIT IS LOVE: THE BLACK PLAGUE EDITION" variant print will finally be on sale for the first time in 4 years. BUT it will ONLY be available to purchase for 24 HOURS! Then, because it is so sick, it will crawl away to die. So here's the deal:

THIS FRIDAY, December 7, starting at 12:01AM, we will be re-releasing one of our popular sold-out prints in an all new Limited Edition Colorway (The Vomit Is Love: Black Plague Edition, Seen right above), and it will ONLY BE AVAILABLE TO PURCHASE AT ZEROFRIENDS (Both Online & In Our Retail Store) FOR ONLY 24 HOURS! After the 24 hour period, we will NEVER sell this print in this colorway and size again.



At the end of the 24 hour time period, the exact number of prints that we sell will be the exact number of prints released for the edition. So, if only 3 people, one spam email and one armadillo buys them, then the edition will be 5. Cool? We think so!

Print measures 20" x 16"
The price will be $50.



So yes, on December 7, from 12:01 AM to 11:59 PM and any single minute in between those times, you can purchase this new "VOMIT IS LOVE: The Black Plague Edition" Limited Edition Print (as seen above) either online at ZEROFRIENDS.COM or in person at our Zerofriends Retail Store in Oakland.

Our Oakland store is located at:


489A 25th St (at Telegraph)

Oakland, CA

DOOMSDAY IS COMING!

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If the world is ending on 12-21-12 as according to the doomsayers, then why not offer something special, right? I mean, it can't hurt. And plus, maybe the cockroaches will have something fun to start collecting then.
So for 24 hours only, during the madness that may be The End, we are offering a few special Doppelganger prints for those of you that are buying things "just in case".
Starting on December 21 at 12:01AM and ending at 11:59 PM that same night, ZEROFRIENDS will have 3 never-before-released 5" x 7" prints for sale celebrating some of the more famous Doomsayers throughout the universe.
Each Doomsayer will be available separately for $12.21 or you can get all 3 for one Apocalyptic price of $20.12!
See you when the world ends.

SCUMDANCE this January!

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In a few weeks, Zerofriends is doing our best to invade the outskirts of the Sundance Film Festival again (we had a blast last year) with a little scum-inspired art at our favorite Salt Lake City gallery, BLONDE GRIZZLY. Stay tuned for more preview images, and I hope to see you there. Which means now I need a jacket and some boots. 

This Is The End....Of The Year Re-Cap!

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I(so)HOPPY!

I always yell at the TV when I sit down to watch a new episode of one of my favorite shows and after 30 seconds I realize that all Uncle Jesse is doing is introducing numerous things from the "good ol' days", which then hazily wiggles into clips from episodes that I had already seen. Highlight episodes are the worst for the viewer, but the best for the people creating them, because all of those little happy highlights justify all of the sacrifices and stomach aches that went into that whole year of creativity.

I had an amazing year, plain and simple. A lot of that can be accredited to my girlfriend, the Zerofriends guys, my art-comrades, cartoons, and Cabin in the Woods.
But just like Full House, it's the end of the year, so it's time for a recap episode featuring some of my favorite things that happened this year. Starting....
...now:

This year was full of "firsts" for me, and a few for Chloe. Sharing "firsts" is one of my new favorite things.
Chloe taught me how to make my first felt craft on Valentine's Day, and I chose to make something kinda healthy. I mean, at least it was full of calcium.

2012 was the first year someone I didn't know had dressed up as one of my paintings for Halloween.

Chloe's first time seeing the Redwoods in person made me extremely giddy. She dressed appropriately as usual.

I went to Disneyworld in Florida for the first time in my life alongside Chloe, who was hired as a photographer for Disney's "LOOKING GLASS" photo project.  It's awesome that she was a part of that. You can see some of the photos she took HERE.

I watched my first sunset on a beach.
Additionally (not on the beach), I went ice skating for the first time, i drove my first golf cart, I tried my first bowl of borscht, Chloe got her first root canal, we had our first delicious WOLVESMOUTH experience, I was involved in my first epic snowball fight on a mountain, and....
we found our first 727 Airplane in the FOREST!

Let's see, what other memories can I conjure up with my html-coded-crystal ball...
Over the summer I got the opportunity of a lifetime when I was asked to curate the entire Halloween issue of Juxtapoz magazine, giving me the chance to interview and include some of my all time favorite artists....ever.


Earlier this year Skinner and I re-formed "The Butcher Kings" and took our nuances up to Portland and Upper Playground.

I also officially began working on a documentary called "Digging Up The Marrow" with one of my great friends, director ADAM GREEN.

Chloe and I went on numerous spontaneous road trips for no reasons other than VOODOO donuts and photos.

I realized this year how much I love going on daily Target dates with Chloe, even if its only to buy hummus and go for a quick ride around the sweatpants section. (In n Out dates are a close second)
I made old characters meet for the first time with new art!

I turned a ridiculous art show at Cotton Candy Machine into an even more ridiculous game show with the help of some makeup, a co-host, and a glittery microphone.
Here's a brand new video of the show in case you missed it.


And while I'm on the subject of transformation, Chloe and I turned a ridiculous apple fritter into an even more ridiculous vaudeville showman!


We spent my birthday spending more money in photobooths than the cost of a real camera.
And in addition to imitating Abe Lincoln and getting shot in a box with Chloe for my birthday, getting a one-of-a-kind hand made Heartfelt toy from her  made me plush. I mean blush. 

I learned not to be totally afraid of large crowds this year. That was fun.



Monster-maker Pat Gierhart produced an amazing Halloween mask based off of my "Aroma" painting (which you can still purchase! Here's more information)

I painted with old friends, and even older tools.

I got to force my shiny dome upon gazers of the television thanks to "ATTACK OF THE SHOW", which you can watch my segment here.


On top of this, I got to be on Chris Hardwick's THE NERDIST BBC show, and I got a great write up from my favorite human Aesop Rock over on MAGNET MAGAZINE's site.

I got to create some art for Weird Al, and then later be included in HIS NEW BOOK.
I got to hold hands in a checklist of a billion places... 
...but some of my favorite places to do so were at conventions.

Then there was that moment that Chloe and I realized our initials spell C.R.A.P., so we made "crappy" shirts.

I got to be a part of a huge Kickstarter campaign alongside Jon Schnepp and Titmouse Animation as one of the artists on the upcoming "Grimm Fairy Tales" animated series (coming soon!) Scribbling characters, monsters and backgrounds and key frames and then actually seeing them move their little legs made me just want to make more cartoons forever.

I got to venture up to the foresty weird gurpy town of Auburn and watch Chloe sing along to every SQUEEZE song as she watched them perform for the first time ever, despite being her favorite band for 20 years. (and then she got to shoot portraits of them and watching her excitedly freak out about that was one of my favorite moments.)


I finally discovered Breaking Bad this year, and we watched every episode from seasons 1-5 back to back and shortly after had to talk each other out of buying a Winnebago and taking chemistry courses.

...
Though I'd still like to do it even more, I got to spend a little more time with my family this year

As well as taking some family portraits of ourselves.

Whistleman showed up EVERYWHERE around me for a few weeks...
...even in the forest.
...
I got to see the original Texas Chainsaw Massacre in 35 mm at one of my new favorite theaters, the Nitehawk in Brooklyn, NY.
And speaking of movies, I had some favorites this year, which, if mashed together would have looked like this:

My favorites this year were Cabin In The Woods, The Hobbit, and Django Unchained, with Indie Game: The Movie, American Scream and Prometheus right up there with the rest of them, even though I'm still trying to figure out the beginning of Prometheus.
But watching this "Cabin In The Woods" elevator scene for the first time was not only one of the coolest scenes of the year, but of the last decade:

The biggest good surprises for me were The Avengers, The Loved Ones, The Watch (which has an unadvertised monster in it!) and Chronicle.
The biggest disappointments for me were The Dark Knight Rises (which actually had Batman in it for like 8 minutes), The Master (which wasn't bad it was just like...yah, I get it bro, the acting is good, cool.) The Sound Of My Voice and most of all, [REC]3.
And DETENTION gets my vote for "Good try, you annoying weirdo."
But time-traveling-bear/symbiotic-television/emoticon movies aside, the movie that annoyed me more than anything in the entire world that I saw this year? "Don't Go In the Woods", some kind of boring non-genre-indie-rock musical horror movie about kids or something that I can only say this about: I've stared into toilets at pieces of shit for lengths of time and gotten more enjoyment than watching THIS piece of shit.

As a bonus, my favorite song from any soundtrack this year is Jeremy Schmidt's bizarre theme to "Beyond The Black Rainbow" which you can listen to HERE

And CAGE actually made my favorite soundtrack song from last year even better this year when he added some madness to that fucking Serbian Film song, which you can listen to HERE

But the best album to come out this year by far is AESOP ROCK's SKELETHON.



I also discovered a comic this year called "The Boys", by Garth Ennis and Darrick Robertson...
which is one of my new favorite series. In it, superheroes are real but most of them are corrupt as hell because of their celebrity status. It's full of violence, degrading sex and a main character that looks coincidentally exactly like my favorite nerd, and author of "Nerd Do Well", Simon Pegg.
And speaking of Simon Pegg, a few months ago he mentioned me on his Twitter account and it made my week.



My other favorite book of the year is Scott C's "The Great Showdowns" which is better than any other pop-culture based product out right now (though OLLY MOSS's "Silhouettes" is pretty amazing)


...
This photobombing stingray photo made Chloe and I laugh so much for a week....
So it only seemed natural for Chloe to sew together some stingray costumes in time for Halloween and the New York Comic Con so that we could do some photobombing of our own.


And speaking of New York, Chloe was out in New York during Hurricane Sandy and it was amazing seeing her use her creativity to keep smiling during all of the madness and tragedy.

This past summer I teamed up with 99centbrains and we released a brand new, FREE, art based, creative iPhone app this year called "WayCooler" where you can use elements from my art to spice up your photos and make yourself "WayCooler". And additionally, you can also use the art elements to create full paintings and graphics to share online. You can get the app HERE on the iTunes store for FREE. And here's a silly/amazing commercial made by Stephen Reedy to help get the point across for ya:


Chloe and I went on more than a "cup"ple of dates this year, all of which were awesome adventures.
We went to an Enchanted Forest (which has one of my favorite haunted houses ever)
We snuck into Ellen's parking spot.
We played dress-up a lot.
We met a lot of mirrors.
We brought along some magical friends.
And Chloe indeed has some jump-for-joy-worthy friends that I got to meet this year
 
And we had our first "Black and White" date.
But my favorite date of the year was when we ran around New York for Chloe's birthday and spontaneously threw rogue public birthday parties for her around the city.
Like at Grand Central Station, mutiple parks, a meatball shop, a cupcake diner...
And even on the subway.

I also got to paint 2 of the biggest murals I have ever painted this year:
A giant 150 foot human centipede that I painted in San Antonio with L'amour Supreme and Skinner (you can see a high rez of the finished piece HERE)...
And two beans fuckin!

This year I spent a lot more time focusing on ZEROFRIENDS, which just meant that I spent a lot more time working nonstop on a company that I own with my best friends. It's awesome.
And I also got to hitchhike with them too!

In closing, as we are getting to the end of the episode, this year I found myself being the least sarcastic, stressed and cynical that I have ever been, because this year, I was genuinely joyful the entire year. It was fucking awesome. And still, out of all of these awesome moments, the one that was my favorite moment of the year, was the moment that Chloe moved in with me in California...
Because it led to our first Xmas together (with our first X(box)Mas Tree)


I'm glad we didn't explode when the Mayan calendar stopped this year. I had a great year. Happy New Year 2013. See you soonsies, you tiny raccoonsies!!

Ricky Watts' Destination Unknown Opening Saturday

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This Saturday, we at Zerofriends are proud to announce the opening reception of one of the most detailed, intricate, and incredible shows we have displayed at our Oakland, California gallery. Brand new artwork by the incredible Ricky Watts.


Here is a little more info on the upcoming show as well as some previews of Ricky's amazing new work:

A departure from his known works on canvas of fluid shapes in symmetric vibrant hues, and murals on large-scale public walls, Destination Unknown features Watts’ most meticulous work to date: detailed illustrations exploring the artist’s journey through imagination that manifest a world of endless possibilities. This exhibition draws from Watts’ real-life objects, events, and photographs, while conceptually merges both fact and fictional elements into mellifluent scenes of splendor and intrigue. Grand architectural schemes backdrop mise-en-scenes, where precious life wonders meet disparate happenstance.


Watts’ newest works demonstrate true dedication to his craft, producing a collection that emphasizes his technical approach to illustration and precise attention to detail. Watts created eight pieces over seven months, in a departure from his habitual pattern. He is a veteran of graffiti, giving way to an artistic process mandating you get in and out as quickly as possible. However, allowing himself time to treat each illustration a tour de force rather than the entire show itself the masterpiece, Destination Unknown yielded Watts less work than shows past, yet far superior in quality to anything he’s ever produced, he said. “Each piece has been a marathon—often taking weeks to complete—so the challenge to finish is exhausting, but crossing the finish line is very satisfying.”




Ricky Watts’ ability to translate opposing narratives through a warm pallet and tight composition is revealed in his depiction of children’s delight at play amid contrasting wreckage, and colorful balloons and bubbles floating freely over unstable dwellings and shipwrecks. All is a reminder an element of yin shares space with every existence of yang, that organic beauty and youthful innocence will forever counterbalance a world full of tragedy and misfortune. And from life’s pairings of opposite circumstances, stories await Watts’ aesthetic interpretation. “I’m a positive and happy person, but I have this under lying obsession with unfortunate circumstances,” he says of themes reflecting inspiration. “Most often tragedies are man-made, which is significant to me cause I strongly feel we are our own worst enemies. The human race is superior, dominating everything else on the planet, yet we’re unable to be completely satisfied. We feel a need to continue to develop technology ‘for the good of mankind.’ Sadly, I feel that will ultimately lead to our own self-destruction.”


Watts move to technical illustration represents a new direction in his oeuvre. While surprisingly he isn’t formally trained, his experience with abstract work enables him to build on a process that breaks the big picture down into simple shapes and colors. Watts has been fascinated by illustration since childhood, yet through graffiti and fine art his drawings often failed to progress past the conceptual stage before being brought to life on a wall or canvas. With Destination Unknown, the end result is stunning, and a direct representation of Watts superior talent in all mediums.


 

Please join us for the opening of Destination Unknown at the ZeroFriend Gallery in Oakland, California, on Saturday, January 5, 2013 from 5pm to 8pm. Beginning Friday, January 4, 2013 the collection can be previewed during Oakland Art Murmur. Destination Unknown will be on view through January 31, 2013.

  ZeroFriends Gallery / 489 A 25th Street / Oakland, CA 94612
510.735.9405 / ZeroFriends.com
  Preview: Friday, January 4, 2013 during Oakland Art Murmur

  Opening Reception with the Artist: January 5, 2013 (5–8pm) 
  Exhibition: January 5–January 31, 2013

Texas Franchise Massacre: An Uneducated Review

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I had never related to Annie Wilkes from 'Misery' more in my life than in the first three and a half minutes of "Texas Chainsaw 3-D". You see, Annie Wilkes appreciates action. She appreciates drama. She appreciates romance. But most importantly, she appreciates CONTINUITY, as you can see in this clip from my now-most-relatable-movie-of-the-past-20-years, Misery:



So let's relive those first 210 seconds of decency that I experienced as Texas Chainsaw 3D began. Those moments BEFORE my pupils protested the visions in front of them and filled with feces, fogging up my Real-D glasses with fumes that could simultaneously clear a stadium as well as ignite a senior prom with fire.

The film started off as any self-proclaimed quote/unquote "TRUE" sequel should, recapping specific events and key aspects of the original, showing the narrative as well as establishing the characters and settings that are important to this new sequel. Using the actual footage from the original 1974 film was a great touch, as it showed us the whole dysfunctional reclusive family of cannibals, consisting solely of The Cook, Leatherface, The Hitchiker and Grandpa as they collectively capture, murder, and assumedly eat a group of teenagers using primitive weapons like saws and hammers while ONE of the teenagers, Sally, narrowly escapes their clutches and drives away as Leatherface dances in the sunset in front of the family's farmhouse, defeated and frustrated while the hitchhiker lay dead in the street, with the Cook, The Grandpa and Leatherface being the only surviving members of the cannibal family. This is where the original film ended, so I was genuinely excited to see that this new film KEPT GOING, exactly where the original film ended. COOL!

So the film officially begins what seems to be that same day, under the same sunset, minutes later, back at the cannibal family house, where the 3 remaining cannibals are hiding out inside as their house gets surrounded by a lynch mob of cops and unruly citizens of Texas. Then we hear some shouting coming from inside the house. So the camera swoops inside the house and we see all 15 members of the family posed with guns ready for the shootout and they are all....WAIT. What are 15 MEMBERS OF THE FAMILY DOING IN THIS HOUSE? Where were all of these 15 people 30 seconds ago?? There's now a plethora of hulking bearded men in flannels that only look slightly inbred holding an arsenal of weapons OTHER than chainsaws and hammers. They now have GUNS. An ARSENAL of guns. And beards! And cameos for no reason. And there's a GRANDMA in the house now. And a BABY!? And the police and rednecks proceed to shoot and kill everyone in the house and burn it down to the ground as one of the rednecks steals the baby for himself for no reason, while immediately I stood up, completely possessed by Annie Wilkes and screamed "THIS ISN'T WHAT HAPPENED? THEY CHEATED US!! HE DIDN'T GET OUT OF THE COCKADOODY CAR!"


And thus, from that moment on, my brain was so discombobulated with confusion that what followed was just a barrage of what seemed like everything stupid I've ever witnessed flashing before my eyes for the remaining ETERNITY of the film. So with that being said, I have no further cohesive review. Instead, I have a list of random moments, observations, memories, lessons and facts that I learned while watching this film that helped instantly vault this movie into both my FAVORITE as well as my LEAST FAVORITE movie, remake or not, that I have seen in 10 years. And that includes SMILEY.

So here we go. On with the Massacre:
- First off, let's start with something as simple as the title. In horror movies past, the subtitle "3D" is a little extra gimmick applied to "part 3" of something. Jaws 3-D. Friday The 13th Part 3-D. etc. Nowadays of course it's a little different with all of the remakes and the fact that something as dumb as 3-D fonts floating around in opening credits is so popular right now, but nonetheless this movie is titled "Texas Chainsaw 3-D", however it is being advertised as the only "true" part TWO. Well, ignoring the fact that there already WAS a part 2, AND a part 3, they just opted to go with the ever so generic liar of a title "Texas Chainsaw 3-D" instead of the correct title of "The Original Texas Chainsaw Massacre 1 Part 2 in 3-D" or for short, "Texas Chainsaw 1-2-3-D".

Anyway, that's the least of our worries moving forward. A bigger obstacle for us to tackle is something that Dr. Who and Stephen Hawking combined wouldn't be able to comprehend: The Timeline. The original movie (as well as the suggested opening to this asshole film) takes place around 1974. This film takes place 20 years later in 2012. Yes, that's right. According to this film, 1974 + 20 = 2012. You can TRY to argue that the movie never sets a date, and that it COULD take place in 1994, except for the fact that numerous cars have 2011 license plates, there's an iPhone with FaceTime used prevalently, and Trey Songz has a stupid left chest tattoo that NO R&B singer got until Usher made it popular in the mid 2000's. But whatever, let's look past those for a moment and try to figure out this timeline thing another way...


- Leatherface was about 30 years old in the original, give or take, so now he should be about 70, yet he clearly has the physical prowess of a healthy 40 year old. He also has a GRANDMA in this sequel, who I ASSUME was supposedly married to Grandpa, who was about 86 in the original film. He was so old he couldn't even hold a hammer. So although Leatherface's Grandma died the day before this movie takes place, she must have been at least 128 at the time of her death and yet she was still supposedly cooking for and babysitting Leatherface...maybe. Wait, this is getting confusing again. Let's go another route.
-So they got a 40 year old short guy to play a 70 year old huge guy. They got a 25 year old girl to play a 19 year old troubled version of Kelly Kapowski, who perhaps is or isn't supposed to be 40 years old in this film, even though she looks and acts like a 12 year old innocent goth girl? Hmm...well at least she's appropriately dating R&B singer Trey Songz in the film, who is portraying an angry boxing-obsessed sweaty alcoholic party animal, and the only apparent reason that Kapowski and Trey are perfect for each other is, I guess, because they live in the same underground gym? That's a good reason. And I guess the filmmakers ultimately needed some reason to have an intimate moment where a guy points out some dumb scar on the goth girl's chest for no reason, and it would be pretty hard to come up with some other ideas of how that could be revealed other than in bed, awkwardly. I don't think the two characters actually dated the remainder of the movie, considering that he fucks Kapowski's friend in a pig trough later and she doesn't even flinch. Oh my god my head's already exploding. I need a minute...


Alright, let's keep the observations moving...
-Timeline aside, let's touch on the Grandma subject as well as the whole "house burning down" subject. When the house burns down in the beginning, there are supposedly no survivors. But apparently, Leatherface not only survives unexplainably, but, completely out of view of the angry mob, he runs down the street to his extremely rich grandma's house that no one in town knows about, knocks on the door, and asks if he can live in her SECRET DUNGEON for the next 40 years if he promises to do nothing but be quiet and creepily dig up graves constantly for no reason. She obliges and tells him he CAN live there as long as he doesn't fuck up her new POOL TABLE, upgraded kitchen appliances and SURROUND SOUND RECORD PLAYER pre-equipped with 2002-era hip hop. It is never revealed how or why Grandma is A) separated from Grandpa especially since she, too, was shown at the house when everyone died, or B) she has a fantasy-themed DUNGEON complete with a giant CARTOON KEY that is used to open it.
-When the movie jumps 20 years in advance after the opening, and moves a few states away, we are led to believe that one of the 4 introductory characters was the baby that was somehow related to Leatherface in the beginning. But out of all four of the characters, we have no idea which one it is! Good thing they provided some clues. One character is a black guy. One character is the hispanic girl from the 90210 reboot. One character has a pooka shell necklace, and one character is first seen MAKING SPOOKY ART OUT OF ANIMAL BONES. It was just a speculation, but after thinking hard, I was going with the animal bones chick.

-In an exhausting but clever casting feat, one of the characters in the group of teenagers is played by 3 separate people throughout the movie with no acknowledgement of it. The lesbian character, Kenny, is simultaneously played by KD LANG, EDWARD FURLONG, and (for most of the film) ROB SCHNEIDER. Sometimes, through what I assume is a huge advancement in CGI, all three actors are combined to make this unearthly-looking human:


-At one point, Leatherface skins Rob Schneider's lesbian character assumingly to make a new mask, then holds the skinned face up to the light, which i guess is the moment that he actually REALIZES how ridiculous it would be to wear Rob Scheider's face, because he then takes off the mask that he's wearing, tosses Rob Schneider's face aside and starts to sew together a brand new one from NONE OF THE ABOVE SOURCES. And instead proceeds to put on this new mask constructed from what I assume is an airbrush and dried fruit that looks exactly the same as the one he just removed that he obviously had bought from the Spirit store in Austin four Halloweens ago.

-That walrus-guy from Office Space played a useless role as an uninformative lawyer who's only purpose was to pass along a letter that warned the entire gang that a maniac butler with a human skin mask lives in the basement in the house which got completely ignored for no apparent reason.
-Although the walrus informs them to read the letter about 15 times, the letter gets ignored. Turns out that he knew what was on the letter and easily could have just told them. Surprise. What did the letter say? Who fucking cares.


Here's a couple of additional quick "life" facts I learned while watching the film:
-If you are ever attempting to escape a maniac while driving a car, and you are near a BARN, CRASH INTO IT, as your cheating boyfriend just MIGHT be in there so you can save him for 30 seconds until he dies in a car crash for no reason.
-If you are a typically attractive female, do you know the best way to seduce someone, especially someone with a girlfriend, while inside a fancy mansion? Simple. Lead him OUTSIDE into an abandoned, shit-filled barn and tell him something disgusting is underneath a slop bucket. Then take your shirt off and don't question anything.

And here's some observational facts specifically about Leatherface that I never knew before this elegant and educational horror film:
-Leatherface has a stupid real name instead of Leatherface. His name? Jebediah. Which, shortened, is referred to as "Jeb", even though the shitty actors clearly said both "Ted" and "Jed" as well as "Jeb". No one says Leatherface. Fuck these people.
-Leatherface is also a butler I guess, as his room is called "The Butler's Quarters"
-Leatherface, a 7-foot 350 pound maniac, sleeps in a twin-sized bed. And he makes his bed nicely. Who'd have thought?
-Leatherface likes eating off of plates but hates doing the dishes.
-Leatherface was clearly rich as he was sharing his Grandma's wealth, but he still chose to shop at the Sear's child-funeral section because they sell the tiniest neckties, and he loves tiny ties.
-Leatherface likes pulling pranks on his victims, even if it's silly pranks like digging up his Grandma, cleaning her off, and placing her corpse in a corner of the house that none of the victims may ever see before he kills them.
-Leatherface gets distracted easily by noises that most likely could not be heard over the sound of a chainsaw. Noises like...a girl saying "Hey" from 50 yards away. Or noises like...the sound of a cop STANDING. Leatherface falls victim to these distractions especially when he is mere seconds away from killing someone.
-Leatherface has a cousin, who changed her name to Heather. But it is never once mentioned that she chose this name so that he would call her Heatherface. But I am convinced that she hoped that would happen. I know I hoped it did.
-Leatherface apparently terrorizes whatever Texas town he lives in so often that no one at all is scared of him when he brandishes his chainsaw in the middle of a carnival while chasing a screaming woman. In fact, one person even continues to eat his ICE CREAM as he observes Leatherface attacking a ferris wheel.
-While we are on the subject of the ferris wheel, there is a scene in the film where Leatherface waits patiently at the bottom of a ferris wheel, chainsaw revving, for his cousin Heatherface to come down so he can kill her. Meanwhile, as she is screaming atop the ferris wheel, the ride operator continues to let people off one at a time, calmly. And this act of carnival terrorism is not so much as mentioned on the local news. It's mind-boggling.

-This film is a great advertisement for FedEx, because it clearly showcases that FedEx can, indeed, deliver anything to anyone at anytime, anywhere, perfectly. It can even deliver a package from a dead person directly to someone who no one even knows is alive.
I don't even know what I'm typing anymore, as I have been staring at the computer so long I'm sure they have already rebooted Texas Chainsaw yet again in the time it took me to write this. But whatever, before I go, here's a couple of straggling memories I have from the film:

-If a stranger purposely throws himself on the windshield of your car at a gas station in the rain, that's clearly enough of a reason to offer him a ride across two states.
- Silverware is the MOST VALUABLE item in any old mansion.
- To a good cop, no amount of blood, guts, body parts, or secret dungeon basements should cause need for alarm or backup. It's ok to check it out alone.
-FaceTime on 3-D phones won't work around ice-chests because the cold blocks the satellite signal.
-Unexpected family blood is thicker than water. Family is family. Even if that new unexpected family member killed all 3 of your only friends in front of you. Hey, it's family. Your dead friends are now secondary and it's ok to go hang out in a bar for a while to talk about your new cousin with a stranger and no longer worrying about those pesky friends of yours.
-Wanna be taken seriously as a cop, but not TOO seriously? Wear jeans while on duty!
- If you change your name, everyone gets the memo, even semi-mentally retarded psychotic family members who you have never met. This comes in handy in case you ever need to convince your mass murdering new cousin not to kill you. You can say "Hey, it's me! The changed-name-person who you never knew!" That seems to work in a clutch.
-A good climax to any horror movie is a good fight between rivals. This movie is no different, as the end of the movie consists of a really epic fight between Leatherface and his long-time nemesis...."authoritative guy in shirt".
-And if that climax isn't cool enough, and "Authoritative guy in shirt" poses too much of a threat to an iconic psychotic mass murdering madman and almost kills him? Fuck it, have that leather-faced madman TEAM UP WITH HIS FEMALE TEENAGE VICTIM TO DEFEAT "MAN-IN-SHIRT" AND THEN HAVE THEM MOVE IN TOGETHER AND HANG OUT IN THE KITCHEN TO END THE MOVIE. I shit you not. That's what happened. Leatherface teams up with his female cousin to kill one guy and then they stroll away in the moonlight practically holding hands which gave me more of a sinking feeling in my stomach than when Predator high-fived that chick and jumped on the snowmobile with her in AVP.

Well, at least I finally found something to bond with Annie Wilkes over. Because whoever made this movie is "Just another lying ol' dirty birdy."

As an afterthought, as you read this, you may find yourself saying "Hey, I feel like I could make a better movie than this about Leatherface..."
Well, if your brain works like Tommy Wiseau, and the only horror movies you have ever seen are all of Rob Zombie's films, and you have no interest in anything ever, CONGRATULATIONS! You are automatically qualified to make the next Texas Chainsaw movie! And I'll be one of the millions of assholes that pays to see it, still holding a tinsel-sized shred of hope that it'll be good and crying all the way home like I deserve.

The Scummiest Preview!

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This Friday, Jan 18th, in Salt Lake City, UT, coinciding with the first day of the Sundance Film Festival, my best (zero)friends and I are celebrating the lives of our favorite movie villains (as well as a few heroes, a couple of kids and some intergalactic rascals sprinkled in) by presenting a brand new collection of over 100 new paintings and drawings exclusively at our favorite SLC art-hideout, the BLONDE GRIZZLY GALLERY


Here is all of the info as well as some previews from all of us. Hope to see you there!
Zerofriends & Blonde Grizzly Present:
"SCUMDANCE: Celebrating the Villainous Scum of the Silver Screen"
Featuring new artwork by ALEX PARDEE, DAVE CORREIA, JON WAYSHAK, MATT136, VIC BACK, ROBERT BOWEN, SKINNER, AUSTEN STANTON & CHLOE RICE

Friday, Jan 18th
6-10PM
At Blonde Grizzly
213 East 300 South
Salt Lake City, UT
(801)355-9075
Sneak previews:

Jon Wayshak nearly destroyed anyone who's ever attempted to paint an Alien with this piece....
...or a Predator with this one.

..and especially Master Blaster.

Skinner likes his scum strictly in stop-motion.

Skinner be Kakken, yo!

Like Skinner, this chick's a stoner....

I've been working on my "Doppelgangers" series of quick watercolor mini-portraits of my favorite monsters for 3 years now, but I've never painted as many at once as I have for this show. On display at "Scumdance" will be 100 original paintings from my Doppelgangers series, with over 75 of them BRAND NEW that I created over the last 3 weeks. That now makes the series near complete with over 150 monsters total, which I am excited to announce that the entire series will be contained in a brand new art book from Gingko Press x Zerofriends called "DOPPELGANGERS" that will be released later this year. Here's a few of the new paintings.
One of the best tattoo artists around, Vic Back, is adding some more amazing Xenomorph scum to the gallery, too, as well as adding a certain butcher, AND a famous haircut.


Matt136, fresh off of his extraordinary Retrospective show at the Olive Hyde Guild created an entire series of hand-carved, hand painted and completely awesomely ridiculous PING PONG paddles based on all the scummy weirdos in the cantina on Mos Eisley.
Ponda fucking Baba.

And someone else is adding an extra dimension to the gallery walls too...


Toy Maker, photographer and insect-princess of imagination-land, Chloe Rice asked herself the age-old question of "What does monster-blood look like up close?" And then she answered her own question with "I bet Hannibal Lecter's blood also needs restraining from eating people, and I bet Freddy Krueger's blood is dirty, red and green!" Then she proceeded to make soft, cute versions of these villains' blood drops with her own, non-scummy hands

Yep...Leatherface's blood wears the skin of other blood.


Robert Bowen, who just showed some incredible new paintings at our Zerofriends Gallery last month, painted a ton of silly little 5" x 7" scummy pieces featuring more than one of my favorite "MASKS"

And Zerofriends' resident (and insanely skilled) work-horse Dave Correia painted an entire wall-worth of classic and gorgeously ugly oil portraits of his dream-guys, including one of those assholes from THEY LIVE (above).


And a couple of girls to throw off the balance (yah, I bet you didn't know Jason is really a girl.)

Dave will also be displaying a new series of pencil sketches that I love more than Wes Anderson loves pale yellow.
There's a LOT more to see in person so come down to the gallery if you are around SLC, and if not, the show (as well as any original paintings for sale) will go online at Blonde Grizzly the following day. See you there, scummos!

150 Original Scumdance Paintings Now Available

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All 150 original Scumdance paintings, drawings and toys are now online to view and purchase over at BLONDE GRIZZLY! AHHHHHH! Scumdogs unite.


BRETT AMORY'S "ANONYMOUS" SOLO SHOW

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One of my favorite fine artists, Brett Amory, is opening his new solo show "ANONYMOUS" this SATURDAY, Feb 2 at our Zerofriends Oakland Gallery. The show, as with a lot of Brett's work, showcases some often overlooked aspects of our society in a brand new, hauntingly beautiful light. In this case, it's discarded passport photos.

From Brett: "The Anonymous series is a cross-section of portraits based on passport photos. The deadpan portraits is culled from of hundreds of found and discarded passport photos.These paintings are a sampling of random American faces. Like booking shots of people who have been arrested, passport photos are not meant to be glamorous. Head shots taken quickly by photographers with no personal interest in the subject. These straight-faced photos are meant only to be used for documentation purposes."





Brett Amory Limited Prints Now available!

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In conjunction with Brett Amory's "ANONYMOUS" solo show that is currently on display at our Zerofriends Oakland Gallery, we are offering 7 brand new, open edition signed 8"x10" prints of some of Brett's passport portraits (passportraits?) from his show.
However, these prints will ONLY BE AVAILABLE TO PURCHASE THROUGH SATURDAY, FEB 9th.
CLICK HERE TO VIEW OR PURCHASE BRETT'S LIMITED PRINTS.
(each print also comes with a corresponding "passport" print from which the painting was inspired by)






Free stickers!!!!!

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Being friends with Lisa Frank had it's perks back in the 80's. I got let into all of the awesome Trapper-Keeper trading parties. I got front row seats to the glitter parades. I got to paint technicolor spots on blank damatian puppies. I got to ride TWO dolphins into the sunset. And most of all, I had an unlimited amount of cool stickers. Well, after Lisa Frank dyed, i mean DIED, back in a terrible rainbow accident in the late 90's, I've been completely without stickers. It's been pretty traumatizing. That is, until my good friends over at STICKER ROBOT started showering me in what's been missing in my sticker-less life! After I got some die cut stickers from them I actually had enough stickers to take a shower in. It felt great.
We have so many stickers now that, starting today, any order placed online at my webstore ZEROFRIENDS.COM will receive a handful of Zerofriends silkscreen die cut stickers courtesy of Sticker Robot and Lisa Frank's death! Offer only lasts during Lisa Frank's death, or until we run out of stickers. So now's the time to buy some of the marked-down shirts or prints we have because then not only do you get a deal, but you get a STICKY deal on top of a deal! DEALS ON DEALS! Meals on wheels! We love you!



SACRIFICIAL PRINTS!

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Valentine's season is a season of love-filled sacrifices. It's a time where we can give each other a piece of our hearts as a token of thanks to those that we love. In this particular case, we here at Zerofriends love YOU. So we are sacrificing 100 hearts limited prints as a token of our love for you during this season of loving and giving.
Starting now, and ending either when the prints run out, or when Valentine's Day ends, any online order of $10 or more (before tax and shipping) made on the ZEROFRIENDS ONLINE STORE will automatically receive a FREE 5"x7" "Mola Ram" Limited Edition signed and numbered print designed by ME (alex) as part of my Doppelgangers print series. It's that simple. No need to add anything to the cart or anything. As long as you see the banner on the front page of the store, you WILL receive your free print with purchase.
HAPPY VALENTINE'S DAY!

CUSTOMIZED PINBALL MACHINES?? YES PLEASE!

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You don't have to be good at something to love doing it. Case in point: me and pinball. Hell, I wasn't even good at the tiny Astro Pinball game that I got from King Norman's.

However, I used to wonder why I was fairly good at home video games when I was younger but a complete failure when it came to pinball skill. But then recently it occurred to me that I was never actually GOOD at video games, but rather I was good at being repetitive and patient until eventually I beat a game that seemed to be fucking impossible at first. And since I never had access to a pinball machine at home, and I chose to spend my quarters sparingly on arcade games that I knew I would last longer than 4 seconds on, I never "got good" at pinball. Unless of course "got good" meant shoot the ball perfectly in the 2 inch space between flippers without having it touch any bumpers on the way down. If that were the case, I'd be the Billy Mitchell of pinball. But nonetheless I was always mesmerized by the pinball machines in the local arcades. Pinball machines almost seemed illegal when I was younger. The flashing lights shouted "CASINO". Each machine was surrounded by at least 3 guys in bandanas. Cigarette ash fell to the floor as a lit cigarette lay on the edge of it while its owner was planted in a weird sex-stance and an angry face. And the incredible artwork on the machines featured pin-up girls, aliens abducting puppies, cops shooting people in the face, haunted houses, and even ROBOCOP.

So I just sat there from a few feet away like a little creep-kid and just stared. At the art, at the players, and at all of the little embellishments that made each machine unique. Some of my favorites that I can remember are the launch button on the Tales From the Crypt machine...
And the severed FREDDY KREUGER head. on the Nightmare machine.
There's a great documentary on Netflix and Hulu called SPECIAL WHEN LIT that will make you fall in love with pinball if you never got a chance to years ago.

Flash forward a billion years and almost all of those amazing arcades are gone, and very few arcade games are getting produced, and even LESS pinball machines.
But there's an amazing team that is attempting to bring a little of that nostalgia back via this new Kickstarter project that I am extremely proud to be a part of.

TILT WARNING CUSTOMS has teamed up with myself as well as other artists (JEREMY FISH, FRANK KOZIK, COOP & SAM FLORES) to completely restore, revamp, and create custom pinball machines from scratch to fill an arcade full of one-of-a-kind-art pinball machines. Here is a little video introducing the amazing project.



Find out more about the project and how to pledge here at the BRING BACK THE ARCADE Kickstarter page.

Zerofriends Does Emerald City In The...Weekend

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Alright, we are off to Seattle to see the Wizard, or at least expose who the man is behind the curtain that's been emailing us close-up photos of street-vomit for 2 weeks straight is.

Yep, Zerofriends is setting up shop at the EMERALD CITY COMIC CON this weekend where we will be releasing new stuff (Including a rad Emerald City EXCLUSIVE limited print) and signing and sketching on flat pieces of slaughtered trees to people who wait single file in a line at a certain time. Sound good? GOOD! There are a ton of other guests at this con who I can't wait to try to stalk, so if you are in the area, you should go nerd-out here with us.

Zerofriends will be hanging there with ME (see signing schedule below), DAVE CORREIA (who will also be releasing a couple new prints, see below), Chloe Rice and a couple of other (zero)friends who will be floating around with us . So say whats up. Or DON'T! 
It's your funeral...


Here's all of the info and scheduling.
ZEROFRIENDS BOOTH #809 (by a gigantic wall of superhero t-shirts that are by no means fit for actual superheroes. you know...cuz they are t-shirts. that are pretending.)


EMERALD CITY COMIC CON

March 1st - 3rd

Washington State Convention Center

Seattle, WA


ALEX (ME) PARDEE SIGNINGS at Booth #809:

Saturday, March 2 @ 2- 4PM

Sunday, March 3 @ 2-4PM.

Here's a few of our new products that will be for sale along with a TON of stuff from our current merchandise available on our online store

First up, our super limited edition Emerald City EXCLUSIVE PRINT.


"Breathing Architecture: The Emerald City Variant"
By Alex Pardee
16" x 20"
Extremely limited edition of 30. Signed and numbered in angelic emerald blood by Alex (me) Pardee. $50 each.
And March 1st, which is the first day of the con, this little demonic print gets released both in person and online.
"The Dream Gobbler" Limited Edition.

And I have a handful of more brand new limited (and non-limited) prints getting released at the con as well. Here's a selection of them:

And the silly DAVE CORREIA will also be unleashing some amazing new limited prints as well. Here's a taste of his....prints.


All of these prints (with the exception of the Emerald City exclusive) will be available online after the convention. See you weirdos there!!!!!
GRUNGY!
BOOTH #809!

ZEROFRIENDS x SF GRAND OPENING!

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In addition to The Giants, The Chronicle, The Golden Gate Bridge, Robin Williams, Gay Marriage and the Zodiac Killer, San Francisco now has ONE more cool thing: US!!!!
Please join us THIS SATURDAY, March 16th, as we open the doors to our brand new retail store right in the heart of the Lower Haight district of San Francisco, right around the corner from Upper Playground!

But, as usual, simply opening the doors and asking for patronage would be silly. So instead we will be respectfully celebrating and asking you to come by and hang alongside of us and with us as we do so.
This will not be a traditional signing/sketch event, as it will be more fun and loose, like an unleashed puppy.

Throughout the day of the Grand Opening this Saturday, myself, along with a handful of other Zerofriends artists, will be creating random 8"x 10" framed sketches and selling them for various cheap prices.
Plus, since it will be St Patrick's Day, we will be giving away something tiny and special (see below) to the first 50 people who spend $25.00 in the new SF store! And throughout the day there will also be a few more special guests stopping by taking pictures, hanging out, and maybe even telling some terrible jokes or bringing wonderful nachos. But all around, it's just going to be a fun opening to a new destination of rad. Bring snacks!!! We love those!

Here's the info all broken down for the on-the-go type:


ZEROFRIENDS GRAND OPENING
Saturday, March 16th, from 12 Noon to 7 PM
419 Haight St (Lower Haight, in between Fillmore & Webster)
San Francisco
www.zerofriends.com

Featuring live art & crafts to be sold in store periodically throughout the day by Bay Area Zerofriends artists Alex Pardee, Skinner, Dave Correia, Robert Bowen, N8 Van Dyke, Jon Wayshak, Matt136, Chloe Rice and more!

And in conjunction with St Patrick's Day and tiny monsters, the first 50 people to spend $25 in the new store during the Grand Opening will receive this new "Leprechaun" print by me for FREEEEEEE! It's like a paper pot of gold!
See you there!

For more up-to-date info about the store, follow @zerofriendsart on instagram and twitter!

The Doppelgangers are BACK!

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My "DOPPELGANGERS" are back!
I’ve been working on this series of quick watercolor paintings for over 3 years now, and I am finally close to completing the collection with almost 200 portraits of my favorite movie monsters, villains and weirdos. The whole collection will be featured in my upcoming “Doppelgangers” book, available sometime this year. And additionally, 60 of my most popular Doppelgangers are now available to purchase online exclusively at ZEROFRIENDS.



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